CONCERTO FOR HARPSICHORD OR PI essays

CONCERTO FOR HARPSICHORD OR PI essays Johann Christian Bach was the 18th born and the youngest surviving son of Johann Sebastian Bach. Being the youngest, one would think that his writing was influenced by the music of his father and elder brothers, but it was, in fact, quite contrary to this. Bach branched off from the musical style of his father and brothers, anticipating and in some senses, contributing to the development of the classical era. His tendencies include a new emphasis on the expression of emotion through music, a shift towards concert-hall forms and genres from religious/church music, and a conscious featuring of virtuoso instrumental parts. He studied under his father until the age of fourteen when his father died, subsequently taking up studies with his elder brother, Carl Philipp Emmanuel, more than 20 years his senior. JC Bach also studied with Giambattista Martini, better known as Padre Martini of Bologna, who later, also taught Mozart. JC Bach became the organist at the Milan Cathedral in 1760 , where he came to be known as the "Milan" Bach. In 1762, he became the "London" Bach when he entered the service of the Queen of England and it was here he influenced the young Mozart, not only with his writings, but also when Mozart was brought to his instruction in 1764. Mozart acknowledged his debt to his mentor by adopting a number of JC Bachs piano sonatas and using them as the basis for some of his own piano concertos. As well as writing concertos like this one, JC Bach also wrote symphonies, chamber works, piano pieces, church music, and operas. In this concerto, Bach gives the performer the option of playing on harpsichord or the piano, which is an invention of the classical period. Bach uses crescendos and diminuendos generously throughout the piece, making use of the pianos and the strings new dynamic capabilities. Typical of the classical era, Bach uses balanced four bar phrases. There are many grace notes (appoggiaturas...